Horreya or Kharya

[Ahmed Hefnawy created a museum-style display of tear-gas bombs used by Egyptian security forces. Image courtesy of Medrar TV.] [Ahmed Hefnawy created a museum-style display of tear-gas bombs used by Egyptian security forces. Image courtesy of Medrar TV.]

Horreya or Kharya

By : Medrar TV مدرار تي في

Horreya or Kharya

23-29 December 2013

Hotel Viennoise, Cairo

 

"Horreya or Kharya" is a group show, which plays on the words "freedom" and "shit" as they share a similar spelling in Arabic. The exhibition, put forth by artists Hany Rashed, Ammar Abo Bakr, Ganzeer, and Ahmed Hefnawy, is meant to reflect on the Egyptian revolution to date by re-presenting snapshots from the past three years. Rashed built model walls documenting the graffiti and murals around the country, while Abo Bakr, a graffiti artist, opted to make new designs for the walls of Hotel Viennoise. Hefnawy recreated the aesthetics of the tear gas canisters that security forces used to disperse protesters on the street. As for street artist and designer Ganzeer, he presented an interactive piece that audiences can spin to see symbols from the events.

In this video, Rashed, Ganzeer, and Abo Bakr explain the exhibition`s vision and design. 

                           [This video is produced by Medrar TV and is featured in partnership with Jadaliyya Culture.]  

 

A Scenography Workshop by Hussein Baydoun

A Scenography workshop by Hussein Baydoun

8-16 September 2013

Falaki Theater, Cairo, Egypt

 

Hussein Baydoun is a Lebanese artist, architect, and scenographer who is known for his unique approach to set design. Baydoun frequently participates in the creation and development of performances from their early stages with the view that scenography is an essential component to the creation of theatrical work, one no less important than the script. His designs are often inspired by the performance spaces in which he works, where he creates fascinating sets from whatever is available as he challenges conventional notions about theater production, such as in his most recent performance "Alice," which was produced in collaboration with Lebanese playwright and director Sawsan Bou Khaled. In September, Baydoun returned to Cairo to lead a scenography workshop following the same vision. At the American University in Cairo`s Falaki Theater, he worked with six upcoming set designers, in addition to amateurs, on creating imaginative environments from the remnants of old sets and other discarded objects. This video highlights the vision and development of the workshop as Baydoun describes the aim of his teaching methods.  


 

      

     [This video is produced by Medrar TV and is featured as part of a new partnership with Jadaliyya Culture.]